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Massimo Terzano
Massimo Terzano (23 April 1892 – 18 October 1947) was an Italian cinematographer. Terzano was a leading figure in the Italian film industry, working on over eighty films during the silent, Fascist and post-war eras.〔Moliterno p.310〕 His final film was the ''The Barber of Seville'', made shortly before his death.
==Selected filmography==
* ''Emperor Maciste'' (1924)
* ''Maciste in the Lion's Cage'' (1926)
* ''The Giant of the Dolomites'' (1927)
* ''The Carnival of Venice'' (1928)
* ''Judith and Holofernes'' (1929)
* ''The Song of Love'' (1930)
* ''Figaro and His Great Day'' (1931)
* ''Lowered Sails'' (1931)
* ''Before the Jury'' (1931)
* ''The Private Secretary'' (1931)
* ''What Scoundrels Men Are!'' (1932)
* ''Steel'' (1933)
* ''Casta Diva'' (1935)
* ''Aldebaran'' (1935)
* ''Like the Leaves'' (1935)
* ''Those Two'' (1935)
* ''The White Squadron'' (1936)
* ''The Great Appeal'' (1936)
*''I've Lost My Husband!'' (1937)
* ''Doctor Antonio'' (1937)
* ''Princess Tarakanova'' (1938)
* ''Giuseppe Verdi'' (1938)
* ''The Silent Partner'' (1939)
* ''Our Miss Doctor'' (1940)
* ''Boccaccio'' (1940)
* ''Captain Tempest'' (1942)
* ''Tragic Night'' (1942)
* ''The Lion of Damascus'' (1942)
* ''Malombra'' (1942)
* ''A Pistol Shot'' (1942)
* ''Zazà'' (1944)
* ''Two Anonymous Letters'' (1945)
* ''Days of Glory'' (1945)
* ''The Barber of Seville'' (1947)
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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